thank you Jesus, thank you Jesus, oh Jesus, thank you. repeats the staid old black woman with the teal dress left from some ancient wedding and matching straw hat; she palms a thick leather-embossed New Testament with a blazing gold flame on the cover and some minimal writing, probably “Placed by the Gideons.” the BART train rests uneasily in dim light 100 feet below Mission Street, first something about tests being completed, and then, honesty; first from across the tracks on a train bound for the East Bay, the conductor’s crackling voice trails off just before the words… “earthquake…” “trains stopped…” the woman in teal begins to frantically repeat these dim shadows of words, earthquake, she says, trains stopped? oh Jesus, thank you Jesus, oh Jesus thank you. the conductor on this train then poorly echoes the sentiments of his colleague, omitting exactly the details these commuters want to hear, Jesus Christ, from the mind of the man in the tired suit with a briefcase seemingly teeming with phone books, but it isn’t fair, I was supposed to be home three hours ago, why does this always happen on Tuesdays… wasn’t it a Tuesday the last time… oh Jesus, sweet, sweet Jesus, her knuckles pale white from strangling her Bible, the minutes edge past and make silence seem as screaming. barely able to finish a poem, but it’s only fourteen lines, from the bespectacled young man in his father’s tweed jacket, strewn across two seats, as angry patrons stomp off towards the escalator seeking some alternative way home, be it bus or cab or long walk on a cold October evening, he dwells on the fact this is a tunnel. 100 feet. underground. he ponders this word, underground, subway, =under+ground, literally, under the ground. the ground that shakes in this part of the country. we are under it. in a tunnel. made of concrete. concrete that is under the ground, the ground that shakes in this part of the country. Jesus, oh Jesus, sweet Jesus, thank you, Jesus… as she bows her head repeatedly, his thoughts swing to those stuck in the tube sunken under the bay, but imagine, they must be praying. thank you Jesus… a bell and doors close, the train slides fifteen seconds, slows, stops. doors open. then first from across the tracks, earthquake, 5.6 magnitude, north of San Jose, all trains must stop, then again poorly echoed by a man with a thick Cantonese accent, still distant, but nearer. thank you Jesus. silence. moments pass. under ground. he thinks back to the two Hispanic thugs he saw earlier, sitting behind him as he timidly read his poetry, but they were born here, he was thinking, their Spanish is awful. that fucking guy, says the one in baggy black jeans and a charcoal tinted Philadelphia Eagles hat, I gonna fucking smack him up pretty good that guy. I gonna give him his due that motherfucker. fuck him, we gonna fuck him up, says his partner in the black and orange street uniform with sideways tilted Giants hat, the hologram still affixed to the unshapen brim, both with diamond studs, but he a fucking stupid little fuck, he gonna get it. just then the doors part for a sizable but stately senora with a face that has seen more pain than these two can ever remember, more than she cares to remember, she shoots them a glance, more a look of death, really, it reminds him of the face his mother would whisk out to him and his brother at church when they used to rock back and forth on the loose, creaking wooden pews; the two suddenly acquire manners unbecoming of their appearance, but when did appearances matter in this city, really, they immediately plunge into questions, como esta Roxana, y tu Papi, y todos la familia? she immediately asks after their mother. i turn my head and notice for the first time the whole ride from Balboa Park they have properly taken their seats and face forward as if present at a baptism. oh Jesus sweet Jesus thank you baby Jesus. the doors close and the train slowly peels away from the tunnel 100 feet under the ground below Mission Street. thank you Jesus oh sweet Jesus oh Jesus, not today.
